We do, and we’re preparing a rundown of our favorite tools. Plus, Marco Arment wrote a fairly definitive microphone guide a few years ago, and we already agree with about 98% of that.
However, we also believe that the best gear is whatever you have with you at the moment. We’d rather hear you capture raw audio on an iPhone or even on a cassette deck than miss the opportunity to record at all. Our post-production process is surprisingly forgiving.